Oriental 1

The Aeolian Mode produces a sad, dark, somber mood, without being jazzy or particularly ethnic sounding

Ritusen

The Aeolian Mode produces a sad, dark, somber mood, without being jazzy or particularly ethnic sounding

Taishikicho

The Aeolian Mode produces a sad, dark, somber mood, without being jazzy or particularly ethnic sounding

Iwato

Like many other scales from Japan it tends to emphasize the isolated half step interval.

Kumoi Natural 2nd

This scale is another that comes to us from Japan. We'll call it Kumoi natural 2nd, since that is the only variation from the Kumoi scale.

Kumoi

Like many other scales from Japan it tends to emphasize the isolated half step interval.

Hira Joshi

This scale is quite similar to the Kumoi scale varying by the addition of the flat seventh.

P`Yongio

The P'yongio scale comes to us from China and like many Chinese scales has a beautiful, sparse,open aspect.

Kokin Joshi

The Kokin Joshi differs from the Natural Minorin that it has a flattened second, and the third and sixth notes are ommitted.

7th Mode Harmonic Minor

Use this in the same context as the whole tone scale for a disorienting effecton the listener.